The June instance of Still/Life is a two-part program formally cleaved yet cumulatively syncretic in its attempt to mediate between the still and moving image: from the inert to the … Continue reading Still / Life: Photography In The Cinematic Imagination (TAM Cinema) →
Still/Life presents three films by artist Rebecca Baron that explore still photography and its relationship to the moving image. In okay bye-bye (1998, 39 min), Baron’s chance discovery of a … Continue reading Still / Life: Photography In The Cinematic Imagination (TAM Cinema) →
Still/Life presents three works of cinema that take the still image as a starting point for inquiry into memory, the passage of time, the intertwining of the political and the … Continue reading Still / Life: Photography In The Cinematic Imagination (TAM Cinema) →