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What makes portraiture so compelling?

When an artist represents someone else, he or she brings a set of cultural influences to bear that is as much about them as it is about the sitter. When that private exchange results in a portrait, both people learn more about themselves. And when the portrait becomes public by being on exhibition in a museum, the exchange is open to a range of conversations brought forward by visitors.

What stories do these portraits share?

These works are particularly exciting because they represent a timely snapshot of artistic practices across the country, and reflect themes of social debate within the last three years. The portraits tell stories of gender and LGBTQ activism; at-risk youth and teenage vulnerability; refugees, migration, and displacement; ethnicity and the Black Lives Matter movement; poverty, illness, and health care; and the power of families. The artworks toggle between a sense of profound isolation and personal determination.

Who was Virginia Outwin Boochever?

Virginia Outwin Boochever (1920–2005) endowed the Outwin Boochever Portrait Competition. For nearly two decades, Virginia was a docent at the National Portrait Gallery. Passionate about art and about people, she believed in the transformational power of portraiture. Virginia saw the endowment of a portrait competition as a way to benefit artists directly and as a
unique opportunity to fill a void in the American art world.

Who are the Jurors?

The noted guest jurors for this competition considered this exhibition a synopisis of historical and cultural events that have unfolded in the past three years (since the previous competition.)

  • Dawoud Bey, professor of art and Distinguished College Artist, Columbia College, Chicago.
  • Brandon Brame Fortune, chief curator, National Portrait Gallery, Washington, D.C.
  • Helen Molesworth, chief curator, Museum of Contemporary Art, Los Angeles, CA
  • Dorothy Moss, associate curator of painting and sculpture, National Portrait Gallery, Washington, D.C.
  • Kim Sajet, director,   National Portrait Gallery, Washington, D.C.
  • Jerry Saltz, senior art critic, New York Magazine, New York City, NY
  • John Valdez, artist, Los Angeles, CA
Tacoma Art Museum is located on the homelands of the Puyallup Tribe of Indians. We recognize and honor the enduring Puyallup people and Coast Salish communities as we strive for a fuller understanding of the histories and currents of this place, and a more equitable future. EIN: 91-0697444.